Los 539 — Zohar Fraiman, Look Mommy, No Hands (2017)
Verkauft im Slot Digital Touch der Auktion Chapter 5Beendet. 18.9.2021, 15 bis 18 Uhr
Beendet. 18.9.2021, 15 bis 18 Uhr
Auktion beendet. Werkbilder sind aus Lizenzgründen nicht mehr zu sehen.
Verkauft
Zohar Fraiman’s work "Look Mommy, No Hands" draws on sexualized imagery of the virtual world. The case looks like a makeshift laptop, with one viewing option only - to become a voyeur. It also draws parallels to Marcel Duchamp’s Museum in a Box (1935-1968). The valise famously contained miniature works, functioning just like a proper museum. By placing a painting of a young woman experimenting with her sexuality, Fraiman elegantly highlights the underlying gender dymanics of past museum curating. Naked women painted by men are the stereotypical gesture of figurative painting of the past. By consciously encasing a young naked woman into a blue valise - perhaps referencing Yves Klein who famously used nude models in his painting performances - Fraiman reverts the power play, as if holding up a mirror in the face of the strategy of using nude female bodies for calculated shock and delight. (Text: Charlie Stein)
Wo und wie Sie bieten können
Direkt hier auf der Webseite (s.o.), vor Ort bei der Auktion in Berlin, über unseren Partner lot-tissimo, schriftlich per Gebotszettel oder live per Telefon (nach Rücksprache mit dem Auktionator).
| Mindestpreis | 800 € | |
| Schätzpreis | 1.400 € | |
| Verkaufspreis | 900 € |
| Größe | 29 x 16 x 4 cm | |
| Edition | Unikat | |
| Rahmen | Nein | |
| Provenienz | Artist | |
| Zustand | Perfekt | |
| Technik | Öl auf Holz |
Zohar Fraiman’s work "Look Mommy, No Hands" draws on sexualized imagery of the virtual world. The case looks like a makeshift laptop, with one viewing option only - to become a voyeur. It also draws parallels to Marcel Duchamp’s Museum in a Box (1935-1968). The valise famously contained miniature works, functioning just like a proper museum. By placing a painting of a young woman experimenting with her sexuality, Fraiman elegantly highlights the underlying gender dymanics of past museum curating. Naked women painted by men are the stereotypical gesture of figurative painting of the past. By consciously encasing a young naked woman into a blue valise - perhaps referencing Yves Klein who famously used nude models in his painting performances - Fraiman reverts the power play, as if holding up a mirror in the face of the strategy of using nude female bodies for calculated shock and delight. (Text: Charlie Stein)
Wo und wie Sie bieten können
Direkt hier auf der Webseite (s.o.), vor Ort bei der Auktion in Berlin, über unseren Partner lot-tissimo, schriftlich per Gebotszettel oder live per Telefon (nach Rücksprache mit dem Auktionator).
Diskussion
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